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| | Description | This is the story of how top-class racing motorcycles have evolved, year by year, from the beginning of the FIM World Championships in 1949 to the present. Each year s championship-winning machine is described in a short essay with an accompanying data panel, and there are 14 longer essays on the various eras of design in championship racing. The essays create a narrative that brings together the many and ever-evolving influences of engine design, materials, tires, and chassis to reveal what technology has provided to help riders win races.Told with style and great technical insight by acclaimed author Kevin Cameron, this is the development history of 500cc and MotoGP road-racing motorcycles from 1949 to the present day. It can be read as separate chapters, or as a connected narrative of the evolution of the engines, chassis, brakes, and tires used in World Championship racing. Intense competition, rapidly changing technology, and input from the world s best riders all contributed to the important design choices that ultimately led to today s MotoGP bikes and to the closely similar modern production sportbikes. Power, weight, and aerodynamics are critical performance areas in all forms of motorsport, but the racing motorcycle must have a unique degree of drivability and balance. Power is usable only if the rider can accurately control it. Increased tire grip is useless if it supplies no cues to let the rider know the limit is near. Above all, the bike must act as an extension of the rider s style and senses. This interaction makes the rider an inherent part of the design and engineering of the motorcycle. The process can be seen at work in the garages after every race practice. The rider talks with the crew chief and the data technician, whose laptops are open. They discuss what can be done to be quicker at key points around the circuit. Successful solutions become the subject of engineering meetings at the factory, and may immediately return as updated parts, or be incorporated as an element of next season s machine. Unlike Formula One cars, which have little in common with road cars, either technically or visually, MotoGP motorcycles are not greatly different from everyday production sportbikes. They use virtually all the same technologies as their production counterparts, and closely resemble them. What s learned in this year s racing season affects the design of next year s production bikes. This continual process of evolution the result of improvements born of pragmatic problem solving at the track and in the race shop has created the procession of modern motorcycles depicted in this book. Told with style and great technical insight by acclaimed author Kevin Cameron, this is the development history of 500cc and MotoGP road-racing motorcycles from 1949 to the present day. It can be read as separate chapters, or as a connected narrative of the evolution of the engines, chassis, brakes, and tires used in World Championship racing. Intense competition, rapidly changing technology, and input from the world s best riders all contributed to the important design choices that ultimately led to today s MotoGP bikes and to the closely similar modern production sportbikes. |  |
| | Product Details | | Author: | Kevin Cameron | | Hardcover: | 216 pages | | Publisher: | David Bull Publishing | | Publication Date: | March 31, 2009 | | Language: | English | | ISBN: | 1935007017 | | Product Length: | 11.0 inches | | Product Width: | 9.2 inches | | Product Height: | 0.8 inches | | Product Weight: | 2.69 pounds | | Package Length: | 11.1 inches | | Package Width: | 9.1 inches | | Package Height: | 0.9 inches | | Package Weight: | 2.7 pounds | | Average Customer Rating: | based on 14 reviews |
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| | Customer Reviews | Average Customer Review: ( 14 customer reviews )
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12 of 12 found the following review helpful:
Epochal MotoGP history and analysis Apr 03, 2009
By John Joss Any reader interested in road racing's evolution since 1949, which has delivered the bikes we race and ride today, must acquire, read, learn from and refer to this brilliant work. It is not just the bible of MotoGP (`official licensed product'). It is much more. It implicitly explains the sport bikes evolved from MotoGP that race in all the other classes, and the high-performance machines we ride on the road. Reading and looking at this remarkable volume is like sitting at the feet of the master (Kevin Cameron is such) and seeing where we have come from and how we have progressed.
Cameron takes the design eras phase by phase, in chunks as small as two years and as large as seven, each year illustrated by an individual race bike--you know all the marques. He cites essentially every significant engineering advance and its immediate and long-term relevance, explaining not just what happened but what it meant then and what it means today. No aspect is overlooked, from frames to suspension, brakes to tires, materials to metallurgy, and including the vital human element: the rider who can make a great designer's race bike into a winner.
Each of the 14 chapters is preceded by a `positioning' essay and a photo of a world champion of the time, from Geoff Duke to Valentino Rossi. The side-view illustrations of the bikes stripped of bodywork, by Pepe Burgaleta, many covering full spreads, deliver a clarity and power that photos, with complex `plumbing' visible, cannot convey. Those photos belong in other books. A `time-line' below the lead illustrations and bulleted technical specifications shows the racing record of each machine. All the great bikes are there.
You need not be a gearhead to enjoy this book, though the rich technical detail is riveting and covered with the author's legendary skill of exposition. It is a project to set beside the armchair or next to the bed before calling it a day, to study and enjoy, to ruminate over. As one reads it, the immense energies, wills and inventiveness of the designers, mechanics and riders wash over the mind and heart: billions of dollars and thousands of lives, racing the world's great venues, dedicated to the miracle of track dominance that is at the heart of racing, captured on the page.
Kenny Roberts Sr.'s foreword is poignant, in that the great champion invested his heart, his mind and his fortune to build a great MotoGP, only to find his ambitions thwarted in the end. As he puts it: "Racing isn't a fairytale with a happy ending--it's a stream of problems, half-answers, and coping with the rest." One might also wish that Cameron had given us a glimpse into his crystal ball and predicted the future. With his accumulated wisdom and knowledge he would probably be right.
The only criticism I would level at the book is that it is somewhat overproduced, with black print on gold pages (hard to read) and a lot of reversed (i.e. harder to read) typography. Simpler is better but David Bull went over the top. It doesn't matter in the end. This is a truly great and epochal work.
10 of 11 found the following review helpful:
A shame, but Cameron got lost in the shuffle... Dec 06, 2009
By Fair Comment I've been a Kevin Cameron fan for years, and really looked forward to enjoying his superb technical writing in this latest tome. Great subject matter too - the post war evolution of GP racing bikes.
When the Amazon package arrived, my anticipation was whetted by a lavishly produced coffee table book seemingly awash with colorful line art. The printers ink smelled to high heaven - every page in bold black or gold with (hard to read) reversed type.
Disillusion dawned within the first few pages. Cameron's engaging, transparent style and concise storylines were completely submerged in a sophmorically overedited mess; this in the finest British Twit tradition. Additional page turning revealed a parody of layout, design, and graphics - all completely over the top. The art director apparently decided to design the book as an annualized chronology, featuring a line drawing of the winning GP bike for each otherwise tiringly identical 2 page spread. Unfortunately, it quickly became obvious that this layout had nothing whatsoever to do with Cameron's (probably excellent) manuscript. So, the resulting hash features redundant bits of content repeated at random, together with snatches of original copy completely unrelated to illustrations and captions. All is topped off with inane editorial filler, utterly ignorant of motorcycles, yet randomly adding asinine Britishisms and incoherent metric equivalents.
Mercifully, the twit editor apparently grew tired of the game about two thirds of the way through the book, so some little of Cameron's usual clarity and style survives (though you must avoid attempting to relate it to the cloying page art). Speaking of "art", the line drawings which dominate this 200 page book are irritatingly redundant and technically flawed, especially after the first ten pages or so. Unfortunately, very few actual period photos make their way into this dismal freshman art project.
Please send me a stapled photocopy of Kevin's original manuscript. I'll gladly wing this garish hodge podge to you by return mail.
2 of 2 found the following review helpful:
A Compact Guide to the Evolution of the Grand Prix Motorcycle Sep 10, 2010
By Jeffrey Morseburg The Grand Prix Motorcycle sets out to explain the evolution of two-wheeled Grand Prix racers from the origin of the World Championship series in 1949 to the present day. This is quite a task for a single book and single writer, but if anyone is up to the task it is journalist Kevin Cameron. He is one of the few motoring journalists who understands and can explain the technical developments that caused top flight racing motorcycles to evolve from simple post-war single cylinder bikes that boasted all of fifty horsepower and struggled to reach 120 miles an hour to the compact earth-bound rockets we know today, with more that two hundred horsepower and top speeds well over 200 miles an hour.
Cameron is an editor at the venerable Cycle World and one of the world's pre-eminent motorcycle journalists. He has a deep background with motorcycles and has not only wridden and tested hundreds of bikes but he has also been in the trenches of competition as a builder and tuner of road racing motorcycles. Along with Cook Neilson and Phil Schilling, he was part of the editorial staff at the legendary Cycle Magazine during the era when that publication was the best written, most irreverent and highest circulation American motorcycle publication. The Grand Prix Motorcycle consists of introductory essays that divide the different eras of post-war motorcycle development and explain the main currents of frame, engine and tire evolution that made improvements in acceleration, braking and cornering possible. This is where Cameron is at his best ... in explaining the development of the two stroke engine through expansion chamber technology or the evolution of frame design from a jumble of small tubes to a more rigid structure of larger, straighter tubes and then, finally to the monocoque construction of today. Following these short essays is a single page summary for each year of Grand Prix competition and a facing page that features technical specifications and a color illustration of the championship motorcycle by the Spanish journalist and artist Pepe Burgaleta.
The rigid editorial format of The Grand Prix Motorcycle is problematic, for in many cases the motorcycle that won the championship in a one year was virtually identical to or a small step away from the one that reigned the year before. So, the technophile-friendly format quickly becomes repetitive. The emphasis on the technical also seems to de-emphasize the role of the rider, as on some occasions in Grand Prix history a superior rider won the championship on an inferior motorcycle. In motorsports, it takes two to tango, a man and a machine. Additionally, the most interesting racers can be ones that were less developed but conceptually ahead of their time or even evolutionary dead-ends.
The format of the book is what makes it somewhat disappointing and what may have been a much more readable narrative transcript become choppy and disjointed. Its always difficult to stick to reviewing the book in front of you rather than what could have been, but in this case, I would love to see a longer, or possibly two or three book series on this subject by the same writer, but in a conventional format with period illustrations, cutaways and technical illustrations, while retaining the clarity of Burgaleta's excellent color work.
The Grand Prix Motorcycle was designed as a souvenir guide to the world's fastest road racing motorcycles in conjunction with the Moto Grand Prix series, the current World Championship. It was clearly intended to be a compact and so it has a lot of ground to cover in 213 pages. While The Grand Prix Motorcycle is worth owning, it is the book's brevity, editing and the rigidity of the format that makes it a less than stellar achievement.
Still in print, don't pay $100+ Nov 25, 2011
By tzed250 This amazing history of the technical changes in the pinnacle of two-wheeled motorsport is still in print (as of Nov. 2011) and available on-line for 30 pounds Sterling. Don't pay $100+ for a used copy!
SUPERB!!! Aug 22, 2011
By André item exactly as described without any faults information on subjects and contents correspond to what was on the site received it much sooner than informations that were given
See all 14 customer reviews on Amazon.com
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